{"id":128202,"date":"2010-04-13T05:30:00","date_gmt":"2010-04-13T00:00:00","guid":{"rendered":"https:\/\/marathisrushti.in\/prime\/amol-palekar-2\/"},"modified":"2026-04-03T13:15:53","modified_gmt":"2026-04-03T07:45:53","slug":"amol-palekar-2","status":"publish","type":"post","link":"https:\/\/marathisrushti.in\/prime\/amol-palekar-2\/","title":{"rendered":"\u0905\u092e\u094b\u0932 \u092a\u093e\u0932\u0947\u0915\u0930"},"content":{"rendered":"<div>\n<p>Palekar was born in Mumbai in a Marathi-speaking family. He attended the Sir J. J. School of Art.<\/p>\n<\/div>\n<div>\n<p>Palekar began in Marathi experimental theatre with Satyadev Dubey, and later started his own group, &#8216;Aniket&#8217;, in 1972. He introduced Theatre of the Absurd to Maharashtra and a street theatre-inspired practice of performing plays in the round.<\/p>\n<\/div>\n<div>\n<p>Palekar made his debut in 1971 with the noted Marathi film <i>Shantata! Court Chalu Aahe<\/i> directed by Satyadev Dubey, which started the \u2018New Cinema\u2019 Movement in Marathi.<sup id=\"cite_ref-1\">[2]<\/sup><\/p>\n<\/div>\n<div>\n<p>In 1974 he was cast as an actor by Basu Chatterjee in <i>Rajnigandha<\/i>, and a surprise low-budget hit, <i>Chhoti Si Baat<\/i>. This led to many other such roles in &#8220;middle-class&#8221; comedies, mostly alternative cinema. These were often directed by Chatterjee or Hrishikesh Mukherjee and include such films as <i>Gol Maal<\/i> and <i>Naram Garam<\/i>. He won the Filmfare Best Actor Award for <i>Gol Maal<\/i>.<\/p>\n<\/div>\n<div>\n<p>He is noted for his image of the &#8220;middle-class everyman&#8221; who struggles to get a job <i>(Gol-Maal)<\/i>, his own flat <i>(Gharonda)<\/i>, a girlfriend\/wife <i>(Baaton Baaton Mein)<\/i>, and appreciation from his boss.<\/p>\n<\/div>\n<div>\n<p>In 1982 he played the role of Ravi in the Malayalam movie <i>Olangal<\/i>, which is remade in Hindi as Masoom.<\/p>\n<p>He turned to directing with the Marathi film<\/p>\n<\/div>\n<div>\n<div><i>Aakriet<\/i>.<\/div>\n<p>He showed his capabilities as a director with his movie <i>Paheli<\/i> which was India&#8217;s official entry in the race for Best Foreign Film at the 2006 Oscars. The movie, however, did not make it to the final nominations.<\/p>\n<\/div>\n<div>\n<p>He has also given his voice to an HIV\/AIDS education animated software tutorial created by the nonprofit organization TeachAIDS.<\/p>\n<\/div>\n<div>Palekar has exhibited his sketches, drawings, and paintings in Mumbai. He also does some social work. He is married to Sandhya Gokhale<sup id=\"cite_ref-3\">[4]<\/sup> and has 2 daughters with her.<sup id=\"cite_ref-4\">[5]<\/sup> Palekar regards himself as an agnostic.<sup id=\"cite_ref-5\">[<\/sup><\/div>\n<p>As an Actor<\/p>\n<ul>\n<li>\n<div>Rajnigandha (1974) (Vidya Sinha)<\/div>\n<\/li>\n<li>\n<div>Chhoti Si Baat (1975) (Vidya Sinha, Asrani, Ashok Kumar)<\/div>\n<\/li>\n<li>\n<div>Chitchor (1976) (Zarina Wahab)<\/div>\n<\/li>\n<li>\n<div>Gharonda (1976) (Zarina Wahab)<\/div>\n<\/li>\n<li>\n<div>Bhumika (1977) (Smita Patil, Naseeruddin Shah, Anant Nag)<\/div>\n<\/li>\n<li>\n<div>Taxi Taxie (1977)<\/div>\n<\/li>\n<li>\n<div>Damaad (1978) (Ranjeeta)<\/div>\n<\/li>\n<li>\n<div>Baaton Baaton Mein (1979) (Tina Munim, David and others)<\/div>\n<\/li>\n<li>\n<div>Gol Maal (1979)[Bindiya Goswami]<\/div>\n<\/li>\n<li>\n<div>Do Ladke Dono Kadke (1979) (Moushumi Chatterji)<\/div>\n<\/li>\n<li>\n<div>Meri Biwi Ki Shaadi (1979) (Ranjeeta)<\/div>\n<\/li>\n<li>\n<div>Aanchal (Rakhee)<\/div>\n<\/li>\n<li>\n<div>Apne Paraye (1980)<\/div>\n<\/li>\n<li>\n<div>Naram Garam (1981) (Swaroop Sampat)<\/div>\n<\/li>\n<li>\n<div>Olangal (Ravi Chattan) (1982) Malayalam<\/div>\n<\/li>\n<li>\n<div>Shriman Shrimati (1983)<\/div>\n<\/li>\n<li>\n<div>Rang Birangi (1983) (Parveen Babi)<\/div>\n<\/li>\n<li>\n<div>Tarang (Smita Patil)<\/div>\n<\/li>\n<li>\n<div>Aadmi Aur Aurat (1984)<\/div>\n<\/li>\n<li>\n<div>Khamosh (1985) (Naseeruddin Shah, Shabana Azmi)<\/div>\n<\/li>\n<li>\n<div>Jhuthi (Rekha)<\/div>\n<\/li>\n<li>\n<div>Baat Ban Jaye (1986)<\/div>\n<\/li>\n<li>\n<div>Teesra Kaun? (1994)<\/div>\n<\/li>\n<li>\n<div>Aks (2001)<\/div>\n<\/li>\n<li>\n<div>Samaantar<\/div>\n<\/li>\n<\/ul>\n<p>As a Director<\/p>\n<ul>\n<li>\n<div><i>Aakreit<\/i> (<i>Unimaginable<\/i> &#8211; Marathi) &#8211; 1981<\/div>\n<\/li>\n<li>\n<div><i>Anakahi<\/i> (Unspoken) &#8211; 1985<\/div>\n<\/li>\n<li>\n<div><i>Thodasa Rumani Ho Jaye<\/i> &#8211; 1990<\/div>\n<\/li>\n<li>\n<div><i>Bangarwadi<\/i> &#8211; 1995<\/div>\n<div><i>Daayraa<\/i> (<i>The Square Circle<\/i>) &#8211; 1996<\/div>\n<\/li>\n<li>\n<div><i>Anahat<\/i> (<i>Forever<\/i>)<\/div>\n<\/li>\n<li>\n<div><i>Kairee<\/i> (<i>Raw mango<\/i>) &#8211; 2001<\/div>\n<\/li>\n<li>\n<div><i>Dhyaas Parva<\/i> (<i>Kal Kaa Aadmi<\/i> in Hindi) &#8211; 2001 (based on Raghunath Karve&#8217;s life, won the National Award for Best film on family welfare)<\/div>\n<\/li>\n<li>\n<div><i>Paheli<\/i> (<i>Riddle<\/i>) &#8211; 2005<\/div>\n<\/li>\n<li>\n<div><i>Quest<\/i> (<i>Thaang<\/i> &#8211; English) &#8211; 2006 (won the National Film Award for Best Feature Film in English)<\/div>\n<\/li>\n<li>\n<div><i>Dumkata<\/i> (2007)<\/div>\n<\/li>\n<li>\n<div><i>Samaantar<\/i> (Marathi) &#8211; 2009 (with Sharmila Tagore)<\/div>\n<\/li>\n<li>\n<div><i>And Once Again 2010<\/i><\/div>\n<\/li>\n<\/ul>\n<div>TV Serials<\/div>\n<ul>\n<li>\n<div>Kachchi Dhoop &#8211; 1987<\/div>\n<\/li>\n<li>\n<div>Naqab &#8211; 1988<\/div>\n<\/li>\n<li>\n<div>Paoolkhuna &#8211; 1993<\/div>\n<\/li>\n<li>\n<div>Mrignayanee &#8211; 1991<\/div>\n<\/li>\n<li>\n<div>Kareena Kareena &#8211; 2004<\/div>\n<\/li>\n<li>\n<div>AA Bail Mujhe Maar<\/div>\n<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.marathisrushti.com\/articles\/amol-palekar\/\" target=\"_blank\" rel=\"noopener noreferrer\">\u0905\u0927\u093f\u0915 \u092e\u093e\u0939\u093f\u0924\u0940\u0938\u093e\u0920\u0940 \u092f\u0947\u0925\u0947 \u0915\u094d\u0932\u093f\u0915 \u0915\u0930\u093e.<\/a><\/p>\n<p>## Amol Palekar<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>Amol Palelar is an Indian actor of the 1970s and a director of Hindi and Marathi cinema. <a class=\"mh-excerpt-more\" href=\"https:\/\/marathisrushti.in\/prime\/amol-palekar-2\/\" title=\"\u0905\u092e\u094b\u0932 \u092a\u093e\u0932\u0947\u0915\u0930\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"single-articles.php","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[70],"tags":[1519,1520,305],"series":[],"ppma_author":[37],"class_list":{"0":"post-128202","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-vyakti-parichay","7":"tag-c-02-a-profiles-site","8":"tag-c-profiles-site","9":"tag-c-marathisrushti-team"},"acf":[],"authors":[{"term_id":37,"user_id":1,"is_guest":0,"slug":"sachingadkari","display_name":"sachingadkari","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/d75c60f5c41d93918ce46f6e6922dd593f2ea83da085021b9d41660e95e86e3e?s=96&d=mm&r=g","author_category":"","first_name":"","last_name":"","user_url":"https:\/\/marathisrushti.in\/prime","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/marathisrushti.in\/prime\/wp-json\/wp\/v2\/posts\/128202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marathisrushti.in\/prime\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/marathisrushti.in\/prime\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/marathisrushti.in\/prime\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marathisrushti.in\/prime\/wp-json\/wp\/v2\/comments?post=128202"}],"version-history":[{"count":0,"href":"https:\/\/marathisrushti.in\/prime\/wp-json\/wp\/v2\/posts\/128202\/revisions"}],"wp:attachment":[{"href":"https:\/\/marathisrushti.in\/prime\/wp-json\/wp\/v2\/media?parent=128202"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/marathisrushti.in\/prime\/wp-json\/wp\/v2\/categories?post=128202"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/marathisrushti.in\/prime\/wp-json\/wp\/v2\/tags?post=128202"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/marathisrushti.in\/prime\/wp-json\/wp\/v2\/series?post=128202"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/marathisrushti.in\/prime\/wp-json\/wp\/v2\/ppma_author?post=128202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}